Jesus Is Re:mix is (obviously) a remix project, as pointed out in the name, based on Hillsong London's 2006 Jesus Is project. The idea is one that has been attempted countless times in the Christian Music Industry. For the most part, these projects are unimpressive in a club setting. This project however is not bad at all.

One or two tracks from Zeilenga's In Medias Res have more replay value than probably your whole library of CDs!

Although not as immediately accessible as what is heard on pop radio, it definitely is a pop concept album more than an album of dance tracks. Looked at as pop, or maybe rock, it is unusually substantial. In return for being slightly inaccessible, it has something to offer on repeated listens.

There's this whole scene of indy/electro/synth pop I'm not familiar of. Cut the Red Wire is probably a typical band from this genre. They released an interesting electro-pop album. It features nine tracks with very emotional and melancholic sounds. Each track has very good melodies and harmonies—some simple, some complex—which keeps it interesting.

I just couldn't quite connect with this one. Very esoteric and "out there", but not something I'd pop into my player often, if at all. The music is well done, just not in a style I can personally appreciate.

One of the main reasons I love ambient and chill-out music is because of the seemingly consistent relation to movie soundtracks. There is something about the sounds and compositions in this genre of electronica that make me think of movies and storylines and drama.

Ok. I really, really tried to like this mix, really. It shows quite a bit of musical dexterity as it jumps from disco house one moment to hip-hop and then to funk and electro-groove.

Eleven seconds into this recording, I knew I had found something special. It is there that the sepia-toned breakbeat takes your hand and leads you into the wood between the worlds that is Colourful Year. With sounds and songwriting that can only be described properly with visual references, The Weather Inside engages nearly all senses in a pop-influenced jaunt through electronic downtempo music.

BT has struck gold once again. Taking a different route for this record, BT has temporarily shelved his energetic breaks and distinctive EDM persona. The mood of this album is that of ambience, reflection, and ease, while maintaining the ever-present technical intuition that goes hand-in-hand with any BT production.

This is the new release by Christian Electronic staples, Sheltershed. Although the group has put out some quality tracks in the past, I feel as if this is a group at a crossroad: industrial or dance?