how many years till beatmatching is a thing of the past in regards to djing
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Author Topic: how many years till beatmatching is a thing of the past in regards to djing  (Read 7076 times)
godlovesmaggots
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« Reply #90 on: July 11, 2007, 07:42:06 AM »



(Sorry, that's all the better my graphics skills are.)
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deeflash
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« Reply #91 on: July 11, 2007, 07:51:51 AM »

hahahaha yessssssssssssss
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Dave Richards
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« Reply #92 on: July 11, 2007, 08:01:18 AM »

Wow. I'm sensing some major inferiority complexes going on here. Sasha, BT, et al are using Ableton. You don't need to defend your use of it (well, except maybe if you have no sense for flow, phrasing, etc). And yet, you have this feeling that "I can't claim to be a legitimate DJ unless I can say that in some sense (that I just made up), I really am the one doing the beatmatching!"

HAHA!!! Wink
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djdunamis
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« Reply #93 on: July 11, 2007, 09:48:03 AM »



It Keeps Going and Going and Going and Going and Going.... Wink  laugh  laugh  laugh  laugh  laugh laugh  laugh  laugh  laugh  laugh laugh  laugh  laugh  laugh  laugh Wink
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« Reply #94 on: July 11, 2007, 10:04:12 AM »

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Dave Richards
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« Reply #95 on: July 11, 2007, 11:20:13 AM »

that horse looks more like a whale.

BTW, until I can smell it... I'm still gonna beat it Wink
« Last Edit: July 11, 2007, 11:22:24 AM by Dave Richards » Logged

"If I had a dog that was following a chicken around eating it's poop, the chicken may not have been the only animal to go..." Nino, 3cell records
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« Reply #96 on: July 11, 2007, 12:33:27 PM »

i think dave actually is the only one keeping this thread going because he is claiming that ableton IS beatmatching which is not the case.  It is in fact something else.  Not calling it a lesser skill or anything...

beatmatching is the live matching of beats when mixing.  pretty standard definition for those in the scene i would think.

ableton takes a lot of skill.  I watched alot of it during cornerstone.  But that is why I started this thread.  I was specifically asking the question:

how many years till beatmatching is a thing of the past in regards to djing


ableton will not continue this.  It is starting it's own technology.  I dunno.


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Dave Richards
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« Reply #97 on: July 11, 2007, 01:00:50 PM »

well... like I said a LONG time ago... I think the definition of beatmatching is simply changing.

technology changes and with that so do definitions at times.
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adidax
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« Reply #98 on: July 11, 2007, 01:19:05 PM »

Does that mean if i'm up on stage, warping a track in ableton that i forgot about the night before, i'm still beatmatching?
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« Reply #99 on: July 11, 2007, 01:22:24 PM »

I think YOU're missing my point, but that's fine.

If beatmatching actually does disappear, what ableton does will be very much like what the next generation (or the one after that) of DJs will *think*/ call beatmatching.

And the point you make about culture only backs up my point. Culture actually changes faster than definitions. As soon as one generation dies or retires, so does a definition.

It wasn't THAT long ago that bad actually meant bad, gay meant happy and queer meant odd. What happened was a cultural change in the way they defined the word.

I'm not going to say that warping in ableton is 100% equal to traditional beatmatching. What I will assert is that the concepts are extremely similar and maybe as soon as 5 - 10 years from now, the concept of traditional beatmatching will be completely lost and replaced by various other technologies like warping.

Traditional typesetting used to be done by arranging led blocks on a printing press. Years later, phototype was introduced and typesetting became based on a photography process that didn't look anything like the traditional method. Then... the computer stepped in and now everyone can set type however they like with more freedom than ever in the comfort of their own bedrooms. It's still all typesetting because in the end, you are still setting type.

The same is true here. The technology is changing. It's allowing more flexibility. It may take LESS talent and effort, but it is still doing the same process of allowing someone to synch two different pieces of music together seemlessly.

Like it or not, the definition of beatmatching is changing and time, technology, and culture will be the driving force.

Don't think our culture will change? Want more proof? Just a few years ago, nobody wanted to spin on CDs. Then, that changed. Then, in the last couple of years, nobody wanted CDs anymore. They actually wanted MP3s. Vinyl was thought to be the cultural visual and performance anchor of our culture and that is now dead. Our culture changes as such, so will our definitions.

Laugh and argue with me now, but the next generation will be calling beatsynching beatmatching and you will continue to get upset over it Smiley
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« Reply #100 on: July 11, 2007, 01:23:23 PM »

Does that mean if i'm up on stage, warping a track in ableton that i forgot about the night before, i'm still beatmatching?

No... that's ableton. you can't warp live Wink Oh wait... yes you can. So yes... No wait... you're just telling ableton where the beats are so it can match tempos for you. Wink
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Ethan Bliss
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« Reply #101 on: July 11, 2007, 02:15:25 PM »

Does that mean if i'm up on stage, warping a track in ableton that i forgot about the night before, i'm still beatmatching?

No... that's ableton. you can't warp live Wink Oh wait... yes you can. So yes... No wait... you're just telling ableton where the beats are so it can match tempos for you. Wink

Well, from this I would guess that it didn't actually work out. Tongue

Also: don't try to warp the track that is currently playing, even if you're really careful; especally with the trackpad. Cause something is going to happen and your pointer is going to shoot off to the left for some reason, and then your track will start playing at somewhere between 1 and 3 bpm, which, needless to say, isn't good.

Oh, and if you warp a track on the fly you'd better hope there's no tempo drift since you won't be able to beatmatch to correct it (unless it's the only track playing in Ableton).
« Last Edit: July 11, 2007, 02:21:54 PM by Ethan Bliss » Logged
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« Reply #102 on: July 11, 2007, 02:33:19 PM »

You can drift tempos in Ableton,  but it's a real pain in the Equus asinus
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« Reply #103 on: July 11, 2007, 02:39:36 PM »

I think traditional ( 2x 1200'2) will always be, and become more of an art than a prodcut, in the same way traditional drawing is still around depite all the computer based programs that mimic the hand...and so on...outboard keyboards vs soft synths...I think in 5 years there will be more hype about the guy that still spins the decks than the laptop masses...me included.  it will be unique!!  that is my buck fifty..

cheers

Wil Foster
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Ethan Bliss
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« Reply #104 on: July 11, 2007, 02:51:00 PM »

You can drift tempos in Ableton,  but it's a real pain in the Equus asinus

Yeah, I know you can; my point was just that you can't do it quickly enough to catch it on the fly, and if you don't mark the track correctly, you can't correct for it while it's playing if other things are running in Ableton, although I think it might be possible to do something like that if you have some controller mapped to the master tempo while something else is going.
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