beatmatching drum n' bass
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Author Topic: beatmatching drum n' bass  (Read 286 times)
godspeedradio
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« Reply #15 on: May 08, 2008, 04:15:53 PM »

How you mix your tracks is as much what makes you an individual as the tracks themselves. Technically you have a few choices in the methods you use though as with any genre. Wherever possible the tempo should be matched during the mix though. The key of the tracks being mixed is just as important as the tempo, unintential key clashes can spoil the flidity of a mix. I have a freind who can't beatmatch very well but he has done some awesome mixes simply blending the ambient/breakdown sections in tracks with complimentary chord structures.

For Drum and Bass, Personally I like "throwing faders" (great phrase by the way Reborn, I might have to get that on a T-Shirt) wherever I can't beatmix intros. "throwing faders" also sounds great pre mix to intoduce or even tease the crowd with a track before bringing it in. I used to drop in a bar or two of a big crowd pleaser a few times many mixes prior to playing it in full much later on in the set.
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dj Zero
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« Reply #16 on: May 09, 2008, 12:06:09 AM »

nice.... I like all this stuff. Looks like I'll be locked away in my room for awhile.
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Tactek
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« Reply #17 on: May 12, 2008, 05:43:36 AM »

use the snares on two & four. bob your head. look cool.  And learn to match phrases not just beats.
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There are two flavors of music, good and bad.  However, the musical pallete's of various people are infinite.
DJ Reborn
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« Reply #18 on: May 12, 2008, 07:07:41 AM »

And learn to match phrases not just beats.

Phrase matching is uberimportant in any genre.

But don't just use the snares.  When you get your two tracks close in BPM especially, listen to the entire drum loop (could be 2 bars, could be 4 bars, whatever it is).  The snares are often the easiest if you want to just pick out one sound, but using the whole drum loop help you beat match the more difficult ones easier (you know, like when the snares aren't super crisp).  If you're a noob to beatmatching, you may need to stick with just the snares for a little while, but it is oddly more frequent that you'd think that the snares can sound on and the kicks just aren't quite together or vice versa.
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Tactek
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« Reply #19 on: May 12, 2008, 02:52:48 PM »

the snares are almost always on two and four so it's easy to tell where you are at in each measure. this guy asking is a noob to mixing dnb right?
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There are two flavors of music, good and bad.  However, the musical pallete's of various people are infinite.
DJ Reborn
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« Reply #20 on: May 12, 2008, 07:57:50 PM »

Some of the best advice I ever received from an accomplished DJ when I was a noob was to not just listen to the snares when mixing anything breakbeat (which is exactly what I was doing then), but to use the snares to get them close and then listen to the entire loop.  Using that tactic, I quickly began to excel in beatmatching all things breakbeat related.
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Tactek
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« Reply #21 on: May 14, 2008, 05:41:46 AM »

If the snares are matched everything else should be also.  2 & 4 trainwreck no more!  laugh
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There are two flavors of music, good and bad.  However, the musical pallete's of various people are infinite.
DJ Reborn
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« Reply #22 on: May 14, 2008, 06:13:40 AM »

That's true.  However, especially when talking about broken beat tracks where the kick drums of each track in the mix run different pattterns, it can happen where the snares sound like they're matched, but the kicks still sound a little muddy.  This is because the snares are off just a little bit--not so much that a newbie can pick it out, but enough to ruin the mix--especially if you EQ a lot in your mixing because then you won't even realize how far off the kicks really are until you bring the lows up and then voila - bad mix.  If you don't remember this happening to you I'm guessing you're either not a noob and haven't been for a while, or you probably spin house, maybe even trace, but most likely nothing with a broken beat.  Listening to the whole loop helps newbies train their ears so as to avoid those embarrassing moments.  Besides, listening to every other beat is just not good practice--especially for newbies.
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Tactek
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« Reply #23 on: Yesterday at 05:16:10 AM »

not a noob. spin everything. from hip hop,dnb,florida breaks,electro,techno,and on and on.  I was just trying to give him something easy that he can pick up quick.  You know to get that ah-hah moment.  I taught my wife to beat match in like 45 min.  But she has a  music/dance background so counting and rhythm was already established.
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There are two flavors of music, good and bad.  However, the musical pallete's of various people are infinite.
DJ Reborn
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« Reply #24 on: Yesterday at 06:32:09 AM »

Dude, I wasn't trying to imply that you're a noob.  Nor was I attempting to diss your skills in any way--I'm sure you're a great DJ & DJ teacher.  Just saying, that's the best advice I ever received for beatmatching break beat genres.  It helped me a lot, so I figure it could help someone else, too.  I've done it both ways.  One way ultimatley results in less pitch bends during a mix--for me at least.
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Tactek
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« Reply #25 on: Yesterday at 12:39:18 PM »

It's all good man! No offense taken. hug
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There are two flavors of music, good and bad.  However, the musical pallete's of various people are infinite.
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